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Rose Under Fire

Rose Under Fire


Rose Under Fire


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Rose Under Fire

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In this companion to Code Name Verity (2012), readers meet American Rose Justice, who ferries Allied planes from England to Paris. The first quarter of the book, which begins in 1944, describes Rose’s work, both its dangers and its highs. It also makes the connection between Rose and the heroine of the previous book, Julie, through their mutual friend, Maddie. Despite the vagaries of war, things are going pretty well for Rose, so hearts drop when Rose is captured. It first seems Rose’s status as a pilot may save her, but she is quickly shipped off to Ravensbrück, the notorious women’s concentration camp in Northern Germany. The horror of the camp, with its medical experimentation on Polish women—called rabbits—is ably captured. Yet, along with the misery, Wein also reveals the humanity that can surface, even in the worst of circumstances. The opening diary format is a little clunky, but readers will quickly become involved in Rose’s harrowing experience. Though the tension is different than in Code Name Verity, it is still palpable. Grades 9-12. --Ilene Cooper

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Review

This companion to Wein's Printz Honor- and Edgar-winning Code Name Verity introduces Rose Justice, a Pennsylvania teenager and volunteer civilian pilot during WWII. Rose is ferrying a Spitfire back to England from France for the Royal Air Force when she is captured by Nazis and sent to Ravensbruck, the women's concentration camp. Designated a "skilled" worker, Rose is assigned to a factory; when she realizes that she's making bomb fuses, she stops working. Two brutal beatings later, she is reassigned to the high-security unit at the camp, where she is taken under the wing of the "Rabbits"--Polish political prisoners whose bodies have been horrifically abused by Nazi doctors for medical experimentation. Because Rose recounts her capture and imprisonment after the fact, in a journal, initially for cathartic purposes, her story doesn't have the same harrowing suspense of Code Name Verity, but it's no less intense and devastating. Eventually, Rose realizes the true purpose of the journal is to fulfill the promise she made to her Ravensbruck sisters: to tell the world what happened there. Wein excels at weaving research seamlessly into narrative and has crafted another indelible story about friendship borne out of unimaginable adversity. Ages 14-up. PW"Toward the end of World War II, 18-year-old American Rose Justice, is an air transport auxiliary pilot in England. She helps the war effort by delivering planes to various air bases. On one of these missions, she is forced to land by German pilots and subsequently ends up in Ravensbruck, spending seven months there before escaping. Most of this fictionalized account details Rose's experiences as a prisoner but the thing that makes this title stand apart from others is that it's told from the point of view of a prisoner who was not European or Jewish. Readers will connect with Rose as she chronicles her story. Once imprisoned, Rose uses poetry to help mentally log events and names of prisoners and to distract herself in order to make it through the horrific experiences. After escaping, she begins her journey of healing by recording her story and poems. Additional resources are included for those who want to study the topic further. Kelly M. Hoppe, Librarian, Palo Duro High School, Amarillo, Texas Recommended Library Media Connection"5Q 5P J S In this companion novel to the best-selling Code Name Verity (Hyperion, 2012/VOYA April 2012), Wein returns to the World War II setting, but this time focuses primarily on a single character-Rose Justice-who is captured by the Nazis. Rose Under Fire is the harrowing story of her fight to survive in Ravensbr ck-a women's concentration camp. This novel picks up eight months after the end of Code Name Verity. Rose is an American pilot and friends with Maddie, who is still struggling with the death of her best friend, Queenie. Although Rose Under Fire could be read on its own, readers who are already connected to the beloved characters by having read the first book will have an immediate connection to Rose, and will be more quickly drawn into the story. Rose details most of her experiences in journal format, as did Queenie, but also frames much of her tale around snippets of poetry, some of which she writes herself. Descriptions of camp life, in particular the horrific treatment of the "rabbits"-prisoners that were tortured under the guise of medical experimentation-are vividly and brutally detailed. Supporting characters, including the villains, are fully drawn and multidimensional; Wein never reduces them to simple stereotypes. Rose Under Fire is possibly more straight-forward and faster-paced than Code Name Verity, but it also packs an even greater emotional punch. At once heartbreaking and hopeful, Rose Under Fire will stay with readers long after they have finished the last page.-Sara Martin. Rose Under Fire successfully creates a realistic portrayal of not only the war, but also the status of women and the horror lived by those confined to bleak concentration camps during WWII. Characters are not only memorable; they refuse to be forgotten after the last words have been read, and they have readers betting on them every step of the way. 4Q, 5P.-Raluca Topliceanu, Teen Reviewer. VOYA"In this companion to Code Name Verity (2012), readers meet American Rose Justice, who ferries Allied planes from England to Paris. The first quarter of the book, which begins in 1944, describes Rose's work, both its dangers and its highs. It also makes the connection between Rose and the heroine of the previous book, Julie, through their mutual friend, Maddie. Despite the vagaries of war, things are going pretty well for Rose, so hearts drop when Rose is captured. It first seems Rose's status as a pilot may save her, but she is quickly shipped off to Ravensbr ck, the notorious women's concentration camp in Northern Germany. The horror of the camp, with its medical experimentation on Polish women-called rabbits-is ably captured. Yet, along with the misery, Wein also reveals the humanity that can surface, even in the worst of circumstances. The opening diary format is a little clunky, but readers will quickly become involved in Rose's harrowing experience. Though the tension is different than in Code Name Verity, it is still palpable. - Ilene Cooper Booklist"After a daring attempt to intercept a flying bomb, a young American pilot ferrying planes during World War II is captured by the Nazis in this companion to Printz Honor winning Code Name Verity (2012). After being brutally punished for her refusal to make fuses for flying bombs and having "more or less forgotten who [she] was," Rose is befriended by Polish "Rabbits," victims of horrific medical experimentation. She uses "counting-out rhymes" to preserve her sanity and as a way to memorize the names of the Rabbits. Rose's poetry, a panacea that's translated and passed through the camp, is at the heart of the story, revealing her growing understanding of what's happening around her. As the book progresses, Wein masterfully sets up a stark contrast between the innocent American teen's view of an untarnished world and the realities of the Holocaust, using slices of narrative from characters first encountered in the previous book. Recounting her six months in the Ravensbr ck concentration camp through journal entries and poems, Rose honors her commitment to tell the world of the atrocities she witnessed. Readers who want more Code Name Verity should retool their expectations; although the story's action follows the earlier book's, it has its own, equally incandescent integrity. Rich in detail, from the small kindnesses of fellow prisoners to harrowing scenes of escape and the Nazi Doctors' Trial in Nuremburg, at the core of this novel is the resilience of human nature and the power of friendship and hope. (Historical fiction. 14 & up) Kirkus"Gr 8 Up This companion novel to Wein's Code Name Verity (Hyperion, 2012) tells a very different World War II story, with a different pilot. Rose Justice, an American, has grown up flying, and when she is given the opportunity to ferry planes to support the war effort in England in 1944, she jumps at the chance. It is during one of her missions that she purposefully knocks an unmanned V-1 flying bomb out of the sky and is captured by Nazi airmen. Once on the ground, she is taken to the infamous women's concentration camp, Ravensbr ck. She is first treated as a "skilled" worker, but once she realizes that her job will be to put together fuses for flying bombs, she refuses to do it, is brutally beaten, and is then sent to live with the political prisoners. Once she's taken under the wing of the Polish "Rabbits" young women who suffered horrible medical "experiments" by Nazi doctors she faces a constant struggle to survive. After a daring escape, she recounts her experience in a journal that was given to her by her friend, Maddie, the pilot from Code Name Verity, weaving together a story of unimaginable suffering, loss, but, eventually, hope. Throughout her experience, Rose writes and recites poetry, and it is through these poems, some heartbreaking, some defiant, that she finds her voice and is able to "tell the world" her story and those of the Rabbits. While this book is more introspective than its predecessor, it is no less harrowing and emotional. Readers will connect with Rose and be moved by her struggle to go forward, find her wings again, and fly. Necia Blundy, formerly at Marlborough Public Library, MA SLJ"Eighteen-year-old Rose Justice, native of Hershey, Pennsylvania, has managed to pull some strings on the English side of her family to get seconded to Britain's Air Transport Auxiliary to ferry planes in 1944. There she befriends Maddie, still grieving from Julie's death (in Code Name Verity, BCCB 6/12), and learns the ATA ropes. It's on a solo flight over France, however, that she's intercepted by German fliers and brought down. She's sent to the infamous German concentration camp Ravensbrück, where she meets R za, a defiant young Pole, who is also known as a "Rabbit," one of the inmates who were subjected to horrific, often lethal experiments in the camp hospital. When both Rose and R za turn up on the camp's death list, they must make a harrowing escape in order to survive. Though this lacks the origami-like unfolding and shocking d nouement of Verity, it is nonetheless an impressive story of wartime female solidarity. As a young American, Rose brings a contrasting perspective from a country that's been unscathed by a war that's been raging in Europe for years, a contrast emphasized by the suddenness of her capture (she's even still got red polish on her toes). Rose's love of poetry threads through the novel as she captures her own experiences and also uses the art to memorialize her blockmates; indeed, the strongest underlying theme is that of witnessing to the outside world, through poetry, prose, wall graffiti, or, in the final chapters, literally witnessing in the Doctors' Trial in post-war Nuremberg. The focus on the Rabbits, making them vivid individuals rather than depersonalized horror stories, is particularly original and compelling. This is therefore an atypical concentration camp story but a gripping one for contemporary American readers, who will easily connect with Rose and will be eager to discuss the ethical challenges raised by her story. End matter includes a note explaining historical sources, a glossary, and lists of relevant print and Internet sources. DS BCCB"Wein plunges into difficult territory in this engrossing companion novel to her lavishly honored Code Name Verity (rev. 5/12). Rose Justice, eighteen-year-old American pilot, delivers personnel and planes for Britain's Air Transport Auxiliary. On her way home from liberated Paris in 1944, she's captured by Germans and sent to Ravensbr ck, the notorious women's concentration camp, where she's beaten, starved, and forced to transport corpses of fellow prisoners. She's also befriended by the "Rabbits"-victims of Nazi doctors' heinous medical experiments. Once again Wein has written a powerful, moving story of female friendship in World War II; her decision to tell the story as a combination of journal entries, letters, and survivor's account softens but doesn't compromise the forthrightness with which she writes about Ravensbr ck. "I did not make [it] up," she writes in her afterword. "It really happened to 150,000 women." Rose's character-pilot, poet, former Girl Scout, survivor, and friend-becomes increasingly rich, deep, and nuanced, most compellingly in response to the French, Russian, and Polish women who befriend her. In plot and character this story is consistently involving, a great, page-turning read; just as impressive is how subtly Wein brings a respectful, critical intelligence to her subject. deirdre f. baker Horn Book"

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Product details

Series: Wein, Elizabeth

Hardcover: 368 pages

Publisher: Disney-Hyperion; First Edition, First Printing edition (September 10, 2013)

Language: English

ISBN-10: 9781423183099

ISBN-13: 978-1423183099

ASIN: 1423183096

Product Dimensions:

6 x 1.2 x 8.5 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

217 customer reviews

Amazon Best Sellers Rank:

#419,557 in Books (See Top 100 in Books)

I read this book for two reasons, with the first being it is the Goodreads February Discussion for Books Hot Off the Pressesand the second is my participation in the 2014 HUB Reading Challenge. This book is on the list of the 2014 Top Ten Best Fiction for Young Adults. Rose Justice is a transport pilot, who grew up outside Hershey, PA. It is during the war that Rose's plane is intercepted, she is captured by the Germans and taken to the Ravensbrück concentration camp, where she is a prisoner for six months. Rose and the other captives (who are there much longer)endure beatings, torture, experimentation, and deprivation. It is during her imprisonment and after, as she recuperates in Paris that the full story emerges. What was so wonderful about this story was the "family" Rose formed while in Ravensbrück and it was these bonds that enabled them to endure and in many cases, survive. Wein weaves the importance of family throughout the whole book; with Rose's Hershey family, her pilot friends who are her family before her capture and the Rabbits, Lisette, Irina, Roza, Karolina and others who are her camp family. Rose uses her poetry and storytelling with her concentration camp friends to as a way to remember life before and survive each day whatever way they could. It is during her imprisonment (and after) with the Hamburg Ravensbrück Trials and the Doctors' Trial against Nazi war criminals that Rose emerges as a much stronger person; a writer and medical student, and is able to bear witness in her own way to the atrocities of the camp and let the world know the names of all 75 of the Rabbits who were maimed (and many killed) by Nazis due to their experimentation. Readers will love the women (pilots, survivors, and those who do not survive) in this book; their bravery, fury, compassion, defiance, craziness, and beauty. Highly recommended!

Really a good book. I recommend it! The story really sucks you in and you almost feel like you are in the cockpit with Rose, side by side with Rode in the pow camp, waiting for the war to end, help to come. Some of the things that have happened to some of the characters is so sad and probably will (and should) bother you a little. Some have been experimented on and, knowing that those things did really take place makes it all the more heartbreaking. Still, it’s a great read and something that I would be comfortable letting my 13 year old read. I personally would want to have read it as well, as some of the things about pow camp and the prisoners may be worth discussing. The “B word” is used a few times.

"While flying an Allied fighter plane from Paris to England, American ATA pilot and amateur poet, Rose Justice, is captured by the Nazis and sent to Ravensbrück, the notorious women's concentration camp. Trapped in horrific circumstances, Rose finds hope in the impossible through the loyalty, bravery and friendship of her fellow prisoners: a once glamorous French novelist whose Jewish husband and three young sons have been killed, a resilient young Polish girl who has been used as a human guinea pig by Nazi doctors, and a female fighter pilot and military ace for the Soviet air force. But will that be enough to endure the fate that's in store for her?"I've been waiting so long and have been so excited for Rose Under Fire, the companion to the brilliant Code Name Verity. Unfortunately, I wasn't able to get my hands on an ARC, but the book finally came out September 10th. Like Code Name Verity, Rose Under Fire takes a little while to actually get into, before it becomes the amazing, touching, heartbreaking book I knew it would be. As other reviewers have said, Rose Under Fire is less emotionally intense and less intense in general than Code Name Verity, but it's still a great book, and might be a better one depending on what your preferences are. Oddly enough, I didn't cry during Code Name Verity, or Rose Under Fire for that matter, but to me, Rose Under Fire felt much more close, more real, perhaps because before Rose is captured there are lots of descriptions of daily life and that makes her experiences in the concentration camp all the more awful in comparison. Still, I felt very emotionally wrought and rung out after reading both of these books. They're the kind of books where you need to read something light right afterwards to recover.Rose Justice is an interesting and good new character. I'm glad that we got to meet an amazing new narrator, who I really fell in love with. That said, I didn't love most of the poems that were in the book, though a few of them were pretty good. It was a nice idea, but it didn't work very well for me; I'm not exactly sure why.There were lots of excellent anecdotes in Rose Under Fire; maybe it was less sensational, but in some ways that made it a better read. I really enjoyed a lot of the descriptions, and it was a lot of the small things that Rose writes about that really got me, that hit me, and made me feel like crying or laughing or both. The very first one was Rose's description of the barrage balloons: "I can't get over how beautiful the barrage balloons are. I can't even talk about it to anyone - they all think I am crazy. But when you're in the air, and the sky above you is a sea of gray mist and the land below you is all green, the silver balloons float in between like a school of shining silver whales, bobbing a little in the wind. They are as big as buses, and I and every other pilot have a healthy fear of them because their tethering cables are loaded with explosives to try to snarl up enemy aircraft. But they are just magical from above, great big silver bubbles filling the sky. Incredible. It is just incredible that you can notice something like that when your face is so cold you can't feel it anymore, and you know perfectly well you are surrounded by death, and the only way to stay alive is to endure the howling wind and hold your course. And still the sky is beautiful." I loved those two paragraphs. I also loved the scene where Maddie and Rose confront the boys who are trying to take apart the bomb.I mentioned the little things that hit me really hard. One of those was just a candlewick bedspread. Here's part of the passage: "It was the stupid candlewick bedspread's fault! Mrs. Hatch's bedspreads feel the same as the ones Mother has out on the sleeping porch. Anyway, I had the candlewick on my bed pulled up to my chin last night, and after I thought about the house party, I started thinking about the sleeping porch...I got so homesick I began to cry. I just couldn't stop thinking about the sleeping porch. It's funny what sets you off. You miss people the most - really it is Polly and Alice and Sandy and Fran whom I am lonely for - but it is the candlewick bedspread that makes me ache with longing to be home."There was also another really poignant small moment, when Rose is first captured by the Germans: "Someone came in and gave me a cup of fake coffee and something a lot like a bologna sandwich, which I would have eaten if I had realized it was the last bologna sandwich I was ever going to see. But I just couldn't eat. I have dreams about that sandwich." That was so awful, as well as being a great piece of foreshadowing.Wein also includes some good descriptions of the war itself. "They've [the Germans] lost. They must know they've lost - that they're on the run. It's all so pointless. It shouldn't take another year. But I bet it will. It's not desperation - there is something inhuman in it. That is what I find so creepy. Five years of destruction and mayhem, lives lost everywhere, shortages of food and fuel and clothing -- and the insane mind behind it just urges us all on and on to more destruction. And we all keep playing." It was very chilling.I had tons of passages marked in the book, but I can't spout all the of the amazing quotes in Rose Under Fire; it would just take too long. It was somehow more emotional to me, not necessarily better, but more relatable. Both of these books are definitely among my favorites. Just like Code Name Verity, there are great female friendships in Rose Under Fire: between Maddie and Rose before Rose is captured, and between the woman suffering in the concentration camp. Really, just as many awful things happen in Rose Under Fire as in Code Name Verity: torture and worse. It's just, I suppose, a more quiet book. And the ending is happier, at least in some ways.I loved that Rose was an American; it was a different take and one that makes sense. I enjoyed reading from her perspective a lot; she can kind of look at England and Germany with an impartial eye, but she cares just as deeply about the war and about flying. She narrates the story of her experiences in the camp from after she's rescued, so we know she doesn't die. But she's been deeply scarred, inwardly and outwardly.Elizabeth Wein's writing style is so distinctive and easily recognizable, and yet I can't quite put my finger down on what it is that makes her writing her's and makes it so deeply moving. Any ideas? Like in Code Name Verity, the book is narrated through personal writings and some letters, although the set-up is different, and it's not as ingeniously plotted or thriller-like. Because, you know, Code Name Verity had that whole mystery which took your breath away, which is a whole level of complexity that Rose Under Fire didn't really have. Still, I just freaking loved it.The book has some great similes and metaphors, such as in the passage about the barrage balloons. The writing is just beautiful, and it captured this amazing story. I would highly, highly recommend Rose Under Fire, whether or not you've read Code Name Verity (although it will spoil the ending of CNV).

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Jumat, 14 Juli 2017

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Get Free Ebook Newport Mansions: Postcards of the Gilded Age, by Federico Santi

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Newport Mansions: Postcards of the Gilded Age, by Federico Santi


Newport Mansions: Postcards of the Gilded Age, by Federico Santi


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About the Author

Federico Santi and John Gacher have lived in Newport, Rhode Island, since 1985 and established their antiques business, The Drawing Room, that same year. They are also the authors of Zsolnay Ceramics: Collecting a Culture and Art Nouveau Ironwork of Austria & Hungary.

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Product details

Paperback: 111 pages

Publisher: Schiffer Publishing (July 14, 2006)

Language: English

ISBN-10: 0764324977

ISBN-13: 978-0764324970

Product Dimensions:

8.4 x 0.4 x 10.9 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#2,686,559 in Books (See Top 100 in Books)

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Product details

Paperback: 114 pages

Publisher: Genealogical Publishing Company; 1 edition (December 10, 2009)

Language: English

ISBN-10: 0806317671

ISBN-13: 978-0806317670

Product Dimensions:

6 x 0.3 x 8.8 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

28 customer reviews

Amazon Best Sellers Rank:

#179,193 in Books (See Top 100 in Books)

I was disappointed that the book was only a list of names, no further information at all.Gramma J

Very helpful in providing details on my ancestors.

I purchased this at the same time as "Jamestown People" and found that it contains good summary, but redundant, information of that contained in "Jamestown People." For my purposes of genealogical research it will provide one more good source for the data I have put in my family tree.

This book is great verification of surnames for our earliest settlers in VA.

Service was good. It is specific to Jamestown proper and my ancestor was from Berkeley One Hundred so I donated it to a library.

Essential to genealogy research.

Great historical reference

i will be able to compare this with information i found about my jamestown ancestors, as they begain a new chapter here and est. a foothold here in america

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Kamis, 29 Juni 2017

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Download Ebook Fear and Loathing in Las Vegas and Other American Stories (Modern Library), by Hunter S. Thompson Ralph Steadman

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Fear and Loathing in Las Vegas and Other American Stories (Modern Library), by Hunter S. Thompson Ralph Steadman

Fear and Loathing in Las Vegas and Other American Stories (Modern Library), by Hunter S. Thompson Ralph Steadman


Fear and Loathing in Las Vegas and Other American Stories (Modern Library), by Hunter S. Thompson Ralph Steadman


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Fear and Loathing in Las Vegas and Other American Stories (Modern Library), by Hunter S. Thompson Ralph Steadman

From the Inside Flap

First published in Rolling Stone magazine in 1971, Fear and Loathing in Las Vegas is Hunter S. Thompson's savagely comic account of what happened to this country in the 1960s. It is told through the writer's account of an assignment he undertook with his attorney to visit Las Vegas and "check it out." The book stands as the final word on the highs and lows of that decade, one of the defining works of our time, and a stylistic and journalistic tour de force. As Christopher Lehmann-Haupt wrote in The New York Times, it has "a kind of mad, corrosive prose poetry that picks up where Norman Mailer's An American Dream left off and explores what Tom Wolfe left out." This Modern Library edition features Ralph Steadman's original drawings and three companion pieces selected by Dr. Thompson: "Jacket Copy for Fear and Loath-ing in Las Vegas," "Strange Rumblings in Aztlan," and "The Kentucky Derby Is Deca-dent and Depraved."

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About the Author

Hunter S. Thompson (July 18, 1937 — February 20, 2005) was an American journalist and author. He was known for his flamboyant writing style, most notably deployed in Fear and Loathing in Las Vegas, which blurred the distinctions between writer and subject, fiction and nonfiction. The best source on Thompson's writing style and personality is Thompson himself. His books include Hell's Angels: A Strange and Terrible Saga (1966), Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1972), Fear and Loathing on the Campaign Trail '72 (1973); The Great Shark Hunt: Strange Tales from a Strange Time (1979); The Curse of Lono (1983); Generation of Swine, Gonzo Papers Vol. 2: Tales of Shame and Degradation in the 80's (1988); and Songs of the Doomed (1990).

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Product details

Series: Modern Library

Hardcover: 304 pages

Publisher: Modern Library (May 5, 1998)

Language: English

ISBN-10: 0679602984

ISBN-13: 978-0679602989

Product Dimensions:

5.6 x 0.9 x 8.3 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

1,070 customer reviews

Amazon Best Sellers Rank:

#75,544 in Books (See Top 100 in Books)

Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream was, as is probably common, the first book by Hunter Thompson I ever heard about. Since then I've read it twice. The first time I was 15, and it appealed to me for a lot of the reasons one would expect. Thompson was raunchy and hilarious, intelligent, endlessly passionate, moral, angry at the squares, and his writing "had balls" (this being my probable takeaway in 2009).I was hooked on HST's moral philosophy and precise writing style right away. Immediately after F&L I read Hell's Angels, his first published book, and loved that too. Through the years since I've read most of his other books -- The Proud Highway, Fear and Loathing on the Campaign Trail '72, The Great Shark Hunt, and the Rum Diary most notable among them.Very recently, a workplace debate with a coworker who despises Fear and Loathing in Las Vegas (and Thompson as a concept) inspired me to go back and read F&L a second time. It's been almost 10 years since the first reading, and I'm shocked at how much of what he was really talking about flew right over my head when I was 15. The slapstick humor and ridiculous hi-jinks that Raoul Duke and his "attorney" Dr. Gonzo get into are still fun and aptly described, but on a closer reading these serve a similar purpose as does the magician's other hand, yanking your attention away from the real thing going on.This really is the quintessential novel about the death of the American 60s and the youth idealism of that period. If you've heard anything about this book you're probably familiar with the chaos and the hedonism and the rampant drug use (all admitted by Thompson as fictional exaggerations), and you probably know one-liners like: "We were somewhere around Barstow on the edge of the desert when the drugs began to take hold," or "Buy the ticket, take the ride," or the famous "“We can't stop here, this is bat country!” To most non-fans Thompson is best remembered for these sort of one-offs that've been made cliche by the commercial reproduction machine.Below is a long-ish passage about the end of the 60s from Fear in Loathing in Las Vegas that is less well-known than the cliches and displays Thompson as what he really was beneath the rage, drugs, and liquor: a visionary thinker and writer of the first order.“Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”

Fear and Loathing is one of the great classics of American journalism (literature?) and IMO the definitive book for developing an understanding on American drug culture in the late 20th century. The book is hilarious and horrifying, a piece of narrative genius both disrupted and enhanced by the author's instability and grotesqueness. More than anything it captures the ambivalent draw of a life on the edge -- with the exhilaration and freedom displayed alongside the self-loathing and despair. Thompson was both the most disgusting of men and the most empowered, and Fear & Loathing is perhaps the most enduring display of this strange mixture. And like all good anti-hero's narratives, there's a powerful sense of voyeurism strewn throughout. I found myself drawn in by a powerful sense of vicariousness, and even more powerfully repulsed.I'm not sure if anything can be "learned" from such a book or if could be called an intellectually enriching experience, but it's certainly a culturally enriching one, and a sturdy landmark of American journalism that's unlikely to lose it's relevance -- or it's appeal -- anytime soon.

Fear and Loathing in Las Vegas is a story of the drug-induced delusions of a reporter while on assignment in Las Vegas, Nevada. The author arrives in Las Vegas in a red convertible, riding along with his lawyer, to cover a three-day car race in the desert. You'll have to take my word that he's covering a car race, because he doesn't really talk much about it in the book, except to mention that he went to it a couple of times. After the car race, the adventures continue, as he gets another assignment; this time to cover a police drug enforcement conference. He trades in the 'Gread Red Shark' for a white Cadillac, the 'White Whale' and sets out to find the American Dream. What that has to do with the drug conference, I'm not sure. In fact, I'm not sure of a lot of things, like is the lawyer really even there?Fear and Loathing in Las Vegas is followed by two short stories. The first is the story of the death of Ruben Salazar, which I believe may have been included simply to prove that Hunter S. Thompson was capable of sane, real journalism. That is followed by a story of a trip to the Kentucky Derby, which falls somewhere between Fear and Loathing, and Strange Rumblings in Aztlan. I did notice that the phrase 'fear and loathing' was slipped somewhere into each of the short stories. That makes me want to read more of Thompson's old magazine articles to see if he did that in all of them. The Kentucky is Decadent and Depraved leaves me wondering, also, if Ralph Steadman is a real person and was he actually with Thompson at the Derby, or was he another delusion similar to the Samoan lawyer in Fear and Loathing in Las Vegas?Easy to read; impossible to follow. But that's Hunter S. Thompson, right?

I admit that I only read the book after seeing the movie when I was younger, and even after hearing the song by Avenged Sevenfold "Bat Country", but this story changed a lot about the way I think. "The American Dream" is the theme of this adventure story (though I use the term adventure in place of "drug binge fueled blaze across Nevada), and two unlikely companion take their wild "trip" to the heart of Nevada: Las Vegas to find the dream and write about it to bring home. This story is very crazy to be honest but it is time and time again one of my favourite stories. If you are into half truth and half fiction stories where it is hard to draw the line between what could have really happened and what exactly was fabricated you will enjoy the wild ride Thompson will put you through in Fear and Loathing. It has twists and turns and bizarre events at every turn. It will keep you enthralled and engaged and you can buy a ticket to take this ride safely from the comfort of your home.

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Minggu, 30 April 2017

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Product details

Paperback: 216 pages

Publisher: Canadian Scholars Press; 2nd edition (August 1, 2003)

Language: English

ISBN-10: 1551302381

ISBN-13: 978-1551302386

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Shipping Weight: 1.2 pounds

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Amazon Best Sellers Rank:

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Minggu, 16 April 2017

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File Size: 17471 KB

Print Length: 552 pages

Publisher: Cengage Learning; 006 edition (February 5, 2014)

Publication Date: February 5, 2014

Language: English

ASIN: B00HQNUAQS

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Amazon Best Sellers Rank:

#217,360 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

My fiancé got this for her courses at college. I can't really review this on her behalf, because I didn't read/use this book. But hey, she passed her course so this must work!

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Just a textbook. Hasn't changed much over the years from version to version and very overpriced but also the standard for college project management classes so you are kind of stuck.

Good

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I need the sixth version , can I switch my rental to the 6th from the 5th? Or how can I verify I have the sixth on rental?

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Selasa, 11 April 2017

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Review

“Babies don’t take direction very well (if they did we should start by getting them to shush on airplanes), but Me Ra Koh has made a specialty of coaxing warm, memorable photos from infants, newborns and children.” —The New York Times   “Tell your baby’s story in photos—wonderful, beautifully-shot photos. Professional photographer and mom, Me Ra Koh, shows you how to photograph your baby like a pro.” —Disney Baby   “Aside from the gorgeous photos, you'll appreciate Me Ra Koh’s simple, smart advice that gives you everything from how to pose your wee ones to the best time of day and light for both a SLR camera as well as a point and shoot, all based on the age of your kids. . . . I really can't think of a more helpful shower gift for new parents, whether it’s their first or fourth baby.” —Coolmompicks.com   “Provides great step-by-step photo ideas and suggestions to help you document all the developmental milestones of your baby's first year.” —Mom365.com   “This book is perfect for novice and intermediate photographers looking for expert advice and inspiration. . . . Beautiful photography, easy-to-follow language and no-fail photo how-tos make Your Baby in Pictures a must for new parents, grandparents and others looking to capture that precious first year of life like a pro.” —Inside Edge magazine

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About the Author

Me Ra Koh loves cameras, kids, and parents, and spends her life bringing them together.  Her work and photo recipes have been featured on The Oprah Winfrey Show, Lifetime Television, VH1, and she is a regular guest contributor to The Nate Berkus Show on NBC.  She is proud to be one of Sony’s Artisans of Imagery, as well as host her annual SOAR! Scholarship for aspiring women photographers.  You can find her at www.merakoh.com.   

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Product details

Paperback: 144 pages

Publisher: Amphoto Books; 2/13/11 edition (March 15, 2011)

Language: English

ISBN-10: 0817400036

ISBN-13: 978-0817400033

Product Dimensions:

8.7 x 0.5 x 8.7 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

118 customer reviews

Amazon Best Sellers Rank:

#202,297 in Books (See Top 100 in Books)

I discovered Me Ra Koh a few years ago when I ordered her DVDs "Refuse to Say Cheese" and "Beyond the Green Box". I found that I loved her warm, informal style and was greatly encouraged to re-learn what I'd known about real photography.How wonderful to find that her book has the same Me Ra character--a friendly, down-to-earth friend who comes alongside you and shows you what she's doing with her camera to capture a certain sense. I grieve over the fact that I didn't have this knowledge when my own babies were new & squishy, since I was in such a sleep-deprived exhaustion that these "photo recipes" were what I needed Me Ra provides clear explanations and cuts right through technical confusion to open up a whole new world of photographing memories. She explains why it is she's doing what she's doing, which creates continual "a-ha" moments that make learning a new hobby so approachable. What sets this apart from any other book out there is the loving treatment of all those unique baby moments from someone who has obviously been there and cherished them: the fleeting hair swirl, baby feet, the love pats while feeding, inked-up baby feet at the hospital, .Babyhood, much to my sorrow, is all too fleeting, and I only wish I'd had this book sooner so that I could have had this knowledge while my own were still in the newborn phase. Without question, I am giving this as my favorite New Baby Gift.

This is an awesome book that shows behind the scenes of pictures and pictures of 'this setting' vs. 'this setting'. And it really doesn't tell you what is better... just shows you the difference and with a photographers eye... you can clearly see what makes the better picture. Sometimes there are 3 pictures with 3 different settings. It really just matters the 'look' you are going for.Shows settings and lens type... everything you need to know to get your shot. Minus the perfect lighting! But I really love how natural the pictures are inside and outside. It's a great book for portrait photography needs and most defiantly baby photography needs. Great for a beginner or fine tuning of advance skills in some other photography area. It's presented in a basic fashion but it isn't common sense photography... so it's very useful!Really awesome. 5 stars!

I bought this before the birth of my first child. I absolutely love it and will be giving it away as gifts to friends! I am not a professional photographer, rather the average mom who loves to capture special moments of my family. I take the "memory keeper" role very seriously. This book walks you through exactly how to set up some beautiful candid shots. It offers tips on how to show "mom" in the picture in the most flattering way possible. I love that the author is so sensitive and respectful to the insecurities new moms have after giving birth! This book gives ideas what characteristics/milestones to make sure to capture at what age so as not to miss out on the joy of looking back and remembering the little moments that make life so wonderful.

I guess I'll just add my 5-star review to the pile.This book is so wonderful and helpful and came at the PERFECT time. I have one of those "fancy" cameras and not a lot of knowledge about it. I keep thinking I'll "learn one day" but keep it in its Auto mode 99% of the time. Well, at 39 weeks pregnant I decided that pictures of our first newborn were an absolute necessity but we couldn't afford to pay a photographer, so it was high time that I learn how to use that puppy!In her introduction, Me Ra Koh explains that when she bought her first big-girl camera, she felt lost and people who were "in the know" talked above her head or in terms that seemed like a foreign language. Hello, kindred spirits, sister! I have more than one pal who takes photographs professionally - a couple who are freakishly good and make a great living at it. But when they talk about their photos, it's like they're speaking Japanese.I grabbed a Cabbage Patch doll from my childhood and began experimenting with my camera the day I got this book. Little by little, chapter by chapter, Me Ra introduces you to quick tips and tricks to get great pictures - even in Auto mode. Then she gives you projects with "recipes" for a great photo - so I can take my camera out of Auto mode and set the aperture, ISO, and shutter speed for myself and get accustomed to what these settings change in each picture. I find myself taking more than one picture, changing settings with each one, and then comparing. I'm actually learning, and it's fun!I'm 39 weeks and 4 days and baby has still not made his entrance into the world.. but I've got some great pictures of my Cabbage Patch doll! This is THE book for new parents and/or people who are nervous about photography. It's YOUR family and YOUR baby. Have fun!

as a first time mom who is new to more advanced photography i REALLY appreciate this book. great ideas and suggestions for pics by age range. some of the pics we were doing but it gave me ideas for many more. we always get lots of comments on the pics we share of our daughter. there are dslr recipes for the pics but you can use the ideas of pics to capture with any camera, even a smart phone. in fact we also capture many pics with our phones. i just bought this authors book for family pics and now that our baby is almost a year we're buying the book she has for older kids.

Like the simple examples and the top tips in each section. I've been taking photos and I sometimes wonder if I'm trying to do to-much or overthinking the techniques vs. opportunities to tell a great story.I will pass this book on to my wife so she can take photos of my baby so we can double the opportunities to capture the beautiful moments for our child.I would recommend this book to anyone including intermediate photographers to refresh themselves on simple yet effective photo techniques for baby photography.

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Your Baby in Pictures: The New Parents' Guide to Photographing Your Baby's First Year, by Me Ra Koh PDF

Your Baby in Pictures: The New Parents' Guide to Photographing Your Baby's First Year, by Me Ra Koh PDF

Your Baby in Pictures: The New Parents' Guide to Photographing Your Baby's First Year, by Me Ra Koh PDF
Your Baby in Pictures: The New Parents' Guide to Photographing Your Baby's First Year, by Me Ra Koh PDF

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